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Screenshot from Iain McGilchrist called the Divided
Brain on RSA Animate and TED.
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Mr. Hillis makes the case, in a brief but very coherent treatise, that
science is due for an update. In fact, it is not just science, but the very
idea of human endeavor and progress. I recall the TED talk given by Iain
McGilchrist called the
Divided
Brain. (This guy is author of
The Master and
His Emissary: The Divided Brain and the Making of the Western World, 2009). In his talk, he describes how
the brain is split in two; the truth is more nuanced than that, and this is the
point of the talk in fact. He goes on – there are two metaphorical sides, and
they each do two different things, and the reason we tend to be right-handed is
because the corresponding side of our brain is for active, intentional
manipulation. And on – throughout history the pendulum swings, and one day we
may regard the right side as the “right” side (because the Age of Enlightenment
made us value the left side so much).
In the art classroom, I repeat these ideas, and ask them what the world
would be like if everyone was “right-brained,” or artistically minded. Imagine
if everyone was an artist, and nobody a scientist, all emotion and
flight-of-fancy, and no bridges, tunnels, infrastructure, economic policy,
institutions of higher learning, no numbers, no logic, and nothing to separate
sense from nonsense. Crazy.
Then again, I can sort of imagine a world where artificial intelligence
does all that stuff for us, so we can do more human things, more messy,
emotional, intuitive things. I highly doubt this is what Mr. Hillis is talking
about in his essay, but I’m quite excited nonetheless that he’s talking,
period. He says right here:
“As our technological and institutional creations have become more
complex, our relationship to them has changed. We now relate to them as we once
related to nature. Instead of being masters of our creations, we have learned
to bargain with them, cajoling and guiding them in the general direction of our
goals. We have built our own jungle, and it has a life of its own.”
Danny Hillis, MIT Journal of
Design and Science, March 2016
Post Script:
What the hell does all this have to do with the Language of Smell?
A primary objective of
Hidden Scents is to
present the idea that after the wave of Big Data crashes on the shores of human
civilization we will have entered a new era, one in which certainty itself is
no longer valued in the way it once was. We already see this today, when we ask
what it is that separates us from our imminent AI overlords. Humans have
intuition, something an algorithm can never have, by its nature. Humans can do
this thing called “messy thinking,” or fuzzy thinking, or half-thinking. This
is what leads us to make novel discoveries and connections and to be creative
in general. This is what makes us
not
computers. And in its uncanny way, this kind of mental activity is at the core
of olfaction. To smell something is to navigate a sea of data too large to
fully comprehend. In this sea, one can approximate, but never ascertain. (The
source of a particular smell is only verified by one of the other senses, like
when you actually find that dead mouse under the fridge.)
So if the Age of the Enlightenment is dead, then perhaps olfaction (and
more specifically the language of olfaction) can serve to carve the path ahead.
Well, perhaps you think I’m a
bit too right-brained to be writing about such things. Thanks for reading at
least.